RogerDodger (talk | contribs) |
RogerDodger (talk | contribs) (remove slashes and ref groups) |
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{{Combolist|columns=9em| | {{Combolist|columns=9em| | ||
; ws2,3<ref | ; ws2,3<ref>5 frame window to input F+3</ref> | ||
; CH | ; CH ub+3<ref>4 frame window to input F+3</ref> | ||
: f,F+3 | : f,F+3 | ||
; CH | ; CH db+3+4 | ||
; CH FC. | ; CH FC.df+4 | ||
; f,F+3+4 | ; f,F+3+4 | ||
: f+3+4 | : f+3+4 | ||
; CH FC. | ; CH FC.df+4,3 | ||
: HMS.1,f~n d, | : HMS.1,f~n d,DB+4 | ||
: HMS. | : HMS.uf+4 | ||
; 1,3:3:3 | ; 1,3:3:3 | ||
; HMS.4 | ; HMS.4 | ||
; HMS. | ; HMS.uf+4 | ||
; b+4<ref | ; b+4<ref name="crouching-opponent">Hit vs crouch</ref> | ||
: d, | : d,DB+4 | ||
: | : ub+3 | ||
; bb+4,3 | ; bb+4,3 | ||
; b+4,3<ref | ; b+4,3<ref name="crouching-opponent" /> | ||
: HMS. | : HMS.uf+4 | ||
; FC. | ; FC.df,d,DF+3 | ||
; MS.3+4<ref | ; MS.3+4<ref>Can't buffer attacks during recovery</ref> | ||
: FUFA.3 | : FUFA.3 | ||
Line 54: | Line 54: | ||
: 1,2,4 | : 1,2,4 | ||
; | ; uf+3+4 | ||
: R. | : R.df+3+4 | ||
: f,F+3 | : f,F+3 | ||
: | : ub+3<ref name="sometimes-whiffs">Sometimes whiffs</ref> | ||
: d+2<ref | : d+2<ref name="sometimes-whiffs"/> | ||
; | ; uf+3+4,3+4 | ||
: HMS. | : HMS.uf+3 | ||
: HMS.2 | : HMS.2 | ||
; 4,3,3 | ; 4,3,3 | ||
; d+4,4,3,3 | ; d+4,4,3,3 | ||
: d+3<ref | : d+3<ref name="sometimes-whiffs"/> | ||
: | : ub+3<ref name="sometimes-whiffs"/> | ||
}} | }} | ||
<references | <references /> | ||
== Staples == | == Staples == | ||
Line 138: | Line 138: | ||
{{Combolist| | {{Combolist| | ||
; [13] | ; [13] uf+4 ย | ||
; [12] | ; [12] df+2 ย | ||
; [20] MS.3,4 ย | ; [20] MS.3,4 ย | ||
; [25] | ; [25] uf,n,4 ย | ||
; [24] CH b+4 ย | ; [24] CH b+4 ย | ||
; [21] CH (f+4),3 ย | ; [21] CH (f+4),3 ย | ||
; [24] CH HMS. | ; [24] CH HMS.uf+4 ย | ||
; [18] BT. | ; [18] BT.uf+4 ย | ||
: [+53] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 ย | : [+53] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 ย | ||
: [+51] 4,u+3 b+2,f~n 1,2,f~n ws2,4 S! f+2,1 ย | : [+51] 4,u+3 b+2,f~n 1,2,f~n ws2,4 S! f+2,1 ย | ||
Line 151: | Line 151: | ||
; CH 4 | ; CH 4 | ||
: [68] b+1:1,f~n<ref | : [68] b+1:1,f~n<ref name="ch4b1">Whiffs at tip range, and whiffs often vs Kuma/Panda.</ref> 4,u+3 b+2,f~n(x2) <f+4,1 S! f+2,1 | ||
: [67] b+1:1,f~n<ref | : [67] b+1:1,f~n<ref name="ch4b1"/> 4,u+3 b+2,f~n ws2,4 S! f+2,1 | ||
: [65] b+1:1,f~n<ref | : [65] b+1:1,f~n<ref name="ch4b1"/> 4,u+3 b+2,f~n f+4,1 S! f+2,1 | ||
: [61] f,F d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3 | : [61] f,F d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3 | ||
; CH 4,4 | ; CH 4,4 | ||
: [57] b+2,f~n(x4) f+4,1 S! f+2,1 | : [57] b+2,f~n(x4) f+4,1 S! f+2,1 | ||
: [55] b+1:1,f~n | : [55] b+1:1,f~n df+1 b+2,f~n ws2,4 S! f+2,1 | ||
; CH 4,3,4 | ; CH 4,3,4 | ||
Line 164: | Line 164: | ||
: [67] b+2,f~n ws2,4 S! b+2,f~n ws2,3 | : [67] b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
; [20] CH d+3,4<ref | ; [20] CH d+3,4<ref name="hms-b3">Hold B and press 3 when Lee raises his left hand.</ref><ref>2 frame window on b+3 pickup.</ref> | ||
; [24] CH 1+2 | ; [24] CH 1+2 | ||
; [24] CH 1+2,3+4<ref | ; [24] CH 1+2,3+4<ref name="hms-b3"/> | ||
; [21] CH (2,1),1 | ; [21] CH (2,1),1 | ||
; [21] CH ( | ; [21] CH (uf+3),1 | ||
: [+43] b+3,3,f~n b+2,f~n(x3) ws2,4 S! f+2,1 | : [+43] b+3,3,f~n b+2,f~n(x3) ws2,4 S! f+2,1 | ||
: [+40] b+3,3,f~n b+2,f~n ws2,4 S! b+2,f~n ws2,3 | : [+40] b+3,3,f~n b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
Line 183: | Line 183: | ||
: [+47] f~n ws2,3 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | : [+47] f~n ws2,3 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
; CH Sway.4<ref | ; CH Sway.4<ref>Doesn't work against all characters, see [[#CH Sway.4|ยง CH Sway.4]] for more.</ref> | ||
: [68] d+2 d+2 b+2,f~n(x3) f+4,1 S! f+2,1 | : [68] d+2 d+2 b+2,f~n(x3) f+4,1 S! f+2,1 | ||
: [67] d+2 d+2 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | : [67] d+2 d+2 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
; low parry | ; low parry | ||
: [53] f,F<ref | : [53] f,F<ref name="dash-placebo">This microdash is not necessary, but it helps with the timing.</ref> 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 | ||
: [50] f,F<ref | : [50] f,F<ref name="dash-placebo" /> 4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
: [43] d+2 b+2,f~n | : [43] d+2 b+2,f~n df+1 b+2,f~n ws2,4 S! f+2,1 | ||
; [24] CH HMS.4 | ; [24] CH HMS.4 | ||
; [25] FC. | ; [25] FC.uf+4 | ||
; [12] CH FUFT.3 | ; [12] CH FUFT.3 | ||
; [12] CH FUFA.3 | ; [12] CH FUFA.3 | ||
Line 206: | Line 206: | ||
; [22] f,F+4 | ; [22] f,F+4 | ||
; [23] b,B+4 | ; [23] b,B+4 | ||
; [35] | ; [35] uf+3,4 | ||
: [+38] f,F b+3,3,f~n b+2,f~n f+4,1 S! b+2,f~n f+2,1 | : [+38] f,F b+3,3,f~n b+2,f~n f+4,1 S! b+2,f~n f+2,1 | ||
; CH d+2 | ; CH d+2 | ||
: [63]<ref | : [63]<ref name="d2-b3">Harder than d+4 pickup, but safer on failure.</ref> f,F b+3,3,f~n b+2,f~n(x3) ws2,4 S! f+2,1 | ||
: [62] f,F d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3 | : [62] f,F d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3 | ||
: [60]<ref | : [60]<ref name="d2-b3"/> f,F b+3,3,f~n b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
; HMS.2 | ; HMS.2 | ||
Line 218: | Line 218: | ||
: [73] 4,u+3 b+2,f~n ws2,4 S! b+2,f~n f+2,1 | : [73] 4,u+3 b+2,f~n ws2,4 S! b+2,f~n f+2,1 | ||
; d, | ; d,DB+4 | ||
: [79] < | : [79] <UF,4 4,u+3,f~n f+4,1 S! b+2,f~n ws2,3 | ||
: [79] | : [79] UF,4 <d+2 b+2,f~n(x3) ws2,4 S! f+2,1 | ||
: [77] (d+4),4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 | : [77] (d+4),4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 | ||
: [74] (d+4),4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | : [74] (d+4),4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
Line 227: | Line 227: | ||
; [26] CH (1,2),4* | ; [26] CH (1,2),4* | ||
; [20] CH (HMS.1),4 | ; [20] CH (HMS.1),4 | ||
: [+42] | : [+42] df+1+2,3 S! b+2,f~n 1,2,f~n f+2,1 | ||
: [+41] | : [+41] df+1+2,3 S! b+2,f~n 1,2,f~n 1 f,F+3 | ||
: [+41] <d+2 b+2,f~n 2 b+2,f~n f+4,1 S! f+2,1 | : [+41] <d+2 b+2,f~n 2 b+2,f~n f+4,1 S! f+2,1 | ||
: [+37]<ref | : [+37]<ref>Re-aligns for a regular splat.</ref> ssr b+3,3,f~n <2,2,3 S! f+2,1 | ||
; [12] CH (1,2),4,3 | ; [12] CH (1,2),4,3 | ||
Line 242: | Line 242: | ||
: [+38] d+2 b+2,f~n 2 b+2,f~n 1,2,f~n ws2,3 | : [+38] d+2 b+2,f~n 2 b+2,f~n 1,2,f~n ws2,3 | ||
; ( | ; (df+3,2),3 | ||
: [63] 2,2,3 S! b+2,f~n 1,2,f~n f+2,1 | : [63] 2,2,3 S! b+2,f~n 1,2,f~n f+2,1 | ||
}} | }} | ||
Line 250: | Line 250: | ||
{{Combolist| | {{Combolist| | ||
; [39] ws2,3 | ; [39] ws2,3 | ||
; [26] CH | ; [26] CH ub+3 | ||
: [+55] R. | : [+55] R.df+3+4,f~n ws2,3 b+2,f~n(x2) f+4,1 S! f+2,1 | ||
: [+52] R. | : [+52] R.df+3+4,f~n ws2,3 b+2,f~n f+4,1 S! f+2,1 | ||
; [25] R. | ; [25] R.df+3+4,f~n ย | ||
: [+53] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 ย | : [+53] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1 ย | ||
: [+51] 4,u+3 b+2,f~n 1,2,f~n ws2,4 S! f+2,1 ย | : [+51] 4,u+3 b+2,f~n 1,2,f~n ws2,4 S! f+2,1 ย | ||
Line 260: | Line 260: | ||
}} | }} | ||
<references | <references/> | ||
== Wall == | == Wall == | ||
Line 267: | Line 267: | ||
{{Combolist| | {{Combolist| | ||
; Regular splat<ref | ; Regular splat<ref>Common after ws2,3 or f+1+2 or d+2 W! in a juggle</ref> | ||
: [23]<ref | : [23]<ref>Does more damage than df+1 with less scaling</ref> b+2,f~n f+4,3 d+3 | ||
: [23] | : [23] df+1 f+4,3 d+3 | ||
: [20] 4,3<4 | : [20] 4,3<4 | ||
; Low splat<ref | ; Low splat<ref>Common after f+2,1 W! in a juggle</ref> | ||
: [19] d+4,4,3,3 | : [19] d+4,4,3,3 | ||
: [18] d+4,4,u+3<ref | : [18] d+4,4,u+3<ref>Recovers faster, so better oki</ref> ย | ||
; High splat<ref | ; High splat<ref>Possble after 1,2,f~n or ws2,3 W! in a juggle</ref> | ||
: [30] 4,u+3 f+4,3 d+3 | : [30] 4,u+3 f+4,3 d+3 | ||
; Very high splat<ref | ; Very high splat<ref>After HMS.2 W!</ref><ref>Possible after 4,3,4 in a juggle</ref> | ||
: [30] | : [30] uf+3+4 df+1 f+4,3 d+3 | ||
: [29] f,F+3 | : [29] f,F+3 df+1 f+4,3 d+3 | ||
; Side splat | ; Side splat | ||
: b+4 d+3 | : b+4 d+3 | ||
: (f+4),3 d+3 | : (f+4),3 d+3 | ||
: | : df+4 | ||
: f,F+3 | : f,F+3 | ||
; Reverse splat | ; Reverse splat | ||
: b+4 | : b+4 ub+3 | ||
: (f+4),3 | : (f+4),3 ub+3 | ||
; Wall bounce | ; Wall bounce | ||
Line 299: | Line 299: | ||
; vs Gigas, Jack, and Marduk | ; vs Gigas, Jack, and Marduk | ||
: replace d+3 with 3<ref | : replace d+3 with 3<ref>1 less damage, but they can block the d+3</ref> | ||
; vs Fahkumram (regular splat) | ; vs Fahkumram (regular splat) | ||
Line 305: | Line 305: | ||
; vs bears | ; vs bears | ||
: replace d+3 with D+4,4,4<4<ref | : replace d+3 with D+4,4,4<4<ref>Breaks walls with a non-delayed 4, but the bear player can prevent this with a spring kick</ref> | ||
}} | }} | ||
<references | <references /> | ||
== Off-axis == | == Off-axis == | ||
{{Combolist|columns=none| | {{Combolist|columns=none| | ||
; | ; uf+4 | ||
; | ; df+2 | ||
; MS.3,4 | ; MS.3,4 | ||
; | ; uf,n,4 | ||
: 4,u+3,f~n d+2 f+4,1 S! b+2,f~n f+2,1 | : 4,u+3,f~n d+2 f+4,1 S! b+2,f~n f+2,1 | ||
: 4,u+3,f~n f+4,1 S! b+2,f~n(x2) f+2,1 | : 4,u+3,f~n f+4,1 S! b+2,f~n(x2) f+2,1 | ||
Line 339: | Line 339: | ||
: [69] b+3,3,f~n 2 b+2,f~n f+4,1 S! f+2,1 | : [69] b+3,3,f~n 2 b+2,f~n f+4,1 S! f+2,1 | ||
; d, | ; d,DB+4 | ||
: [77] f,F~4,u+3<ref | : [77] f,F~4,u+3<ref name="switch">Switches to opponent's front side</ref> b+2,f~n(x3) ws2,4 S! f+2,1 | ||
: [74] f,F~4,u+3<ref | : [74] f,F~4,u+3<ref name="switch"/> b+2,f~n ws2,4 S! b+2,f~n ws2,3 | ||
: [73] | : [73] UF,4 2 b+2,4,3 S! b+2,f~n f+2,1 | ||
: [72] <4,u+3 b+2,f~n f+4,1 S! b+2,f~n f+2,1 | : [72] <4,u+3 b+2,f~n f+4,1 S! b+2,f~n f+2,1 | ||
: [71] SSR. | : [71] SSR.df+1+2,3<ref name="switch"/> S! b+2,f~n(x4) f+2,1 | ||
; | ; uf+3,4 | ||
: [72] b+3,3,f~n 2 f+4,1 S! b+2,f~n f+2,1 | : [72] b+3,3,f~n 2 f+4,1 S! b+2,f~n f+2,1 | ||
Line 353: | Line 353: | ||
: [76] b+1:1,f~n 2 b+2,f~n ws2,4 S! b+2,f~n f+2,1 | : [76] b+1:1,f~n 2 b+2,f~n ws2,4 S! b+2,f~n f+2,1 | ||
; | ; df+3,2,3 | ||
: [91] 2 d+2<ref | : [91] 2 d+2<ref name="df323-delay-d2">Delay d+2 if left of opponent's center back</ref> b+2,4,3 S! b+2,f~n f+2,1 | ||
: [97] 2 d+2<ref | : [97] 2 d+2<ref name="df323-delay-d2"/> b+2,4,3 S! b+4 d+3 | ||
: [99]<ref | : [99]<ref>Dead center or slightly left of opponent's center back</ref> 2 f,F~4,u+3 b+2,f~n b+1:1,f~n ws2,4 S! wr3,4 | ||
: [100]<ref | : [100]<ref>Against large normals, somewhat right of opponent's center back</ref> 2 d+2<ref name="df323-delay-d2"/> b+2,4,3 S! b+4 ub+3 | ||
: [114]<ref | : [114]<ref>Left of opponent's center back</ref> 4,u+3 R.df+3+4,f~n ws2,4 S! b+4 d+3 | ||
}} | }} | ||
<references | <references/> | ||
== Character specific == | == Character specific == | ||
Line 372: | Line 372: | ||
; Gigas, Jack, Marduk | ; Gigas, Jack, Marduk | ||
: | : df+4 b+3,3,f~n b+2,f~n(x2) f+4,1 S! f+2,1 | ||
; Bears | ; Bears | ||
Line 382: | Line 382: | ||
{{Combolist|columns=none| | {{Combolist|columns=none| | ||
; Gigas and Marduk | ; Gigas and Marduk | ||
: [71] b+1:1,f~n b+3,3,f~n<ref | : [71] b+1:1,f~n b+3,3,f~n<ref name="ms-b3">To get b+3 after b+1:1,f~n the MS must be cancelled first to avoid MS.3. The simplest way to do this is holding b during recovery and pressing 3 exactly as the recovery ends. A buffered sidestep also works.</ref> ws2,4 S! f+1+2 | ||
: [56] b+1:1,2 | : [56] b+1:1,2 | ||
; with floor break | ; with floor break | ||
: [69] b+1:1,f~n b+3,3,f~n<ref | : [69] b+1:1,f~n b+3,3,f~n<ref name="ms-b3"/> db+3 F! ws2,4<ref name="f-ws2">Hold d during the floor break to recover crouching post-break to do this as fast as possible. Easy mode option f+4,1 S! also works and is only -1 damage because of floor break scaling.</ref> S! f,F+3<ref>The only practical way to hit this is with the assist button mapped and pressing f,F,assist+3. A reverse [[backdash cancel]] (i.e. f,F,df,f,F+3) can work in theory but only with superhuman speed.</ref> | ||
: [68] b+1:1,f~n b+3,3,f~n<ref | : [68] b+1:1,f~n b+3,3,f~n<ref name="ms-b3"/> db+3 F! ws2,4<ref name="f-ws2"/> S! d,DB+4 | ||
: [68] b+1:1,f~n ws3,3 F! ws2,4<ref | : [68] b+1:1,f~n ws3,3 F! ws2,4<ref name="f-ws2"/> S! f+1+2 | ||
: [67] b+1:1,f~n b+3,3,f~n<ref | : [67] b+1:1,f~n b+3,3,f~n<ref name="ms-b3"/> db+3 F! ws2,4<ref name="f-ws2"/> S! d+3 | ||
: [66] b+1:1,f~n b+3,3,f~n<ref | : [66] b+1:1,f~n b+3,3,f~n<ref name="ms-b3"/> db+3 F! 1,2,f~n f+2,1 | ||
: [66] b+1:1,f~n ws3,3 F! b+1,2,f~n <1,2,f~n f+2,1 | : [66] b+1:1,f~n ws3,3 F! b+1,2,f~n <1,2,f~n f+2,1 | ||
Line 397: | Line 397: | ||
}} | }} | ||
<references | <references /> | ||
== Floor break == | == Floor break == | ||
Line 436: | Line 436: | ||
|- | |- | ||
| style="text-align: center" | 2 | | style="text-align: center" | 2 | ||
| 4 b+4 | | 4 b+4 ub+3ย ย || 17 | ||
|- | |- | ||
| rowspan="3" style="vertical-align: middle" | Face-up | | rowspan="3" style="vertical-align: middle" | Face-up | ||
| style="text-align: center" | 0 | | style="text-align: center" | 0 | ||
| | | df+1 f+4,3 d+3 || 14 | ||
|- | |- | ||
| style="text-align: center" | 1 | | style="text-align: center" | 1 | ||
Line 451: | Line 451: | ||
4 will cause a high splat against face-down opponents but not face-up ones. This generally makes the face-down combos better. | 4 will cause a high splat against face-down opponents but not face-up ones. This generally makes the face-down combos better. | ||
Since 4,3,3 does much more damage than the other breaks, the ideal floor combo at the wall is 4,3,3 F! 4 b+4 | Since 4,3,3 does much more damage than the other breaks, the ideal floor combo at the wall is 4,3,3 F! 4 b+4 ub+3. | ||
== Extras == | == Extras == | ||
Line 459: | Line 459: | ||
{{Combolist| | {{Combolist| | ||
; [24] CH b+4 | ; [24] CH b+4 | ||
: [+55] | : [+55] UF,4 d+2 b+2,f~n(x3) ws2,4 S! f+2,1 | ||
; [24] CH 1+2 | ; [24] CH 1+2 | ||
; [21] CH (2,1),1 | ; [21] CH (2,1),1 | ||
; [21] CH ( | ; [21] CH (uf+3),1 | ||
: [+46] f,f | : [+46] f,f df+4 b+3,3,f~n b+2,f~n(x2) ws2,4 S! f+2,1 | ||
; [24] d, | ; [24] d,DB+4 | ||
: [+29] 3~3:4 | : [+29] 3~3:4 | ||
Line 472: | Line 472: | ||
; [26] CH (1,2),4* | ; [26] CH (1,2),4* | ||
; [20] CH (HMS.1),4 | ; [20] CH (HMS.1),4 | ||
: [+43] | : [+43] df+1+2,3 S! b+2,f~n 1,2,f~n(x2) f,F+3 | ||
; FUFT.3+4<ref | ; FUFT.3+4<ref>Has 12 active frames, typically connects on the 8–9th unless the opponent is running into it</ref> | ||
: <ref | : <ref>If it connects on the 11th frame or later</ref>d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3 | ||
: <ref | : <ref>If it connects on the 12th frame, or if they don't tech roll</ref>df+4 b+3,3,f~n b+2,f~n(x2) ws2,4 S! f+2,1 | ||
}} | }} | ||
<references | <references /> | ||
== B1 link == | == B1 link == | ||
Line 500: | Line 500: | ||
{{Combolist| | {{Combolist| | ||
; | ; uf+4 | ||
; | ; df+2 | ||
; MS.3,4 | ; MS.3,4 | ||
; | ; uf,n,4 | ||
; CH b+4 | ; CH b+4 | ||
; CH (f+4),3 | ; CH (f+4),3 | ||
; CH HMS. | ; CH HMS.uf+4 | ||
; | ; df+3+4,f~n | ||
: 4,u+3 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1 | : 4,u+3 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1 | ||
Line 520: | Line 520: | ||
; CH HMS.4 | ; CH HMS.4 | ||
; FC. | ; FC.uf+4 | ||
; CH FUFT.3 | ; CH FUFT.3 | ||
; CH FUFA.3 | ; CH FUFA.3 | ||
Line 530: | Line 530: | ||
; CH 1+2,3+4 | ; CH 1+2,3+4 | ||
; CH (2,1),1 | ; CH (2,1),1 | ||
; CH ( | ; CH (uf+3),1 | ||
: b+3,3,f~n b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1 | : b+3,3,f~n b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1 | ||
; ws2,3 | ; ws2,3 | ||
: | : df+3+4,f~n S! d+2 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1 | ||
}} | }} | ||
Line 552: | Line 552: | ||
| 4,3,4ย ย || ws4ย ย ย ย ย || b+1:1,f~n || b+2,4,3ย || f+1+2 | | 4,3,4ย ย || ws4ย ย ย ย ย || b+1:1,f~n || b+2,4,3ย || f+1+2 | ||
|- | |- | ||
| | | UF,4 ย ย || df+4 ย ย ย ย || 2ย ย ย ย || 2,2,3ย ย || d+2 | ||
|- | |- | ||
| d+2ย ย ย || d+2ย ย ย ย ย || | | d+2ย ย ย || d+2ย ย ย ย ย || df+1 ย ย || 2,1,3ย ย || wr3,4 | ||
|- | |- | ||
| f,F+4ย ย || d+4,4,u+3,f~n ||ย ย ย ย ย || b,B+4ย ย || | | f,F+4ย ย || d+4,4,u+3,f~n ||ย ย ย ย ย || b,B+4ย ย || df+3,2,3 | ||
|- | |- | ||
| | | df+3+4 ย || 3ย ย ย ย ย ย ||ย ย ย ย ย || SSL.3+4ย || b+4 | ||
|- | |- | ||
|ย ย ย ย ย ||ย ย ย ย ย ย ย ||ย ย ย ย ย || SSR.3+4ย || 1+2 | |ย ย ย ย ย ||ย ย ย ย ย ย ย ||ย ย ย ย ย || SSR.3+4ย || 1+2 | ||
|- | |- | ||
|ย ย ย ย ย ||ย ย ย ย ย ย ย ||ย ย ย ย ย || | |ย ย ย ย ย ||ย ย ย ย ย ย ย ||ย ย ย ย ย || df+1+2,3 || db+3 | ||
|} | |} | ||
Line 572: | Line 572: | ||
** b+2,f~n whiffs when off-axis | ** b+2,f~n whiffs when off-axis | ||
* f,F+4 iws2,3 b+2,f~n can work as aerial hits 1–4 | * f,F+4 iws2,3 b+2,f~n can work as aerial hits 1–4 | ||
* f,F+4 d+2 | * f,F+4 d+2 df+3+4 S! can work as aerial hits 1–3 | ||
* d+2 b+2,f~n can work up to aerial hits 2–3, and very rarely 3–4 | * d+2 b+2,f~n can work up to aerial hits 2–3, and very rarely 3–4 | ||
** at some angles, d+2 needs to hit close to the ground | ** at some angles, d+2 needs to hit close to the ground | ||
Line 584: | Line 584: | ||
* [[#B1 link|b+1:1,f~n can connect after b+2,f~n]] | * [[#B1 link|b+1:1,f~n can connect after b+2,f~n]] | ||
* b+1:1,f~n travels further than b+2,f~n, which can allow an extra hit in the juggle | * b+1:1,f~n travels further than b+2,f~n, which can allow an extra hit in the juggle | ||
* | * df+1 b+2,f~n and 2 b+2,f~n work as aerial hits 3–4 | ||
Damage per hit at max scaling (30%) | Damage per hit at max scaling (30%) | ||
Line 590: | Line 590: | ||
* b+2,f~n (3) | * b+2,f~n (3) | ||
* 2 (3) | * 2 (3) | ||
* | * df+1 (3) | ||
* b+1:1,f~n (3) | * b+1:1,f~n (3) | ||
* b+1,1,f~n (2) | * b+1,1,f~n (2) | ||
Line 605: | Line 605: | ||
* b+2,4,3 works up to aerial hits 3–5 | * b+2,4,3 works up to aerial hits 3–5 | ||
** aerial hit 5 whiffs when off-axis to the right | ** aerial hit 5 whiffs when off-axis to the right | ||
* 2,2,3; | * 2,2,3; df+1+2,3; and SSR.3+4 rotate the juggle to the right | ||
* b+2,4,3 flips over face-down opponents | * b+2,4,3 flips over face-down opponents | ||
Line 633: | Line 633: | ||
[[File:Lee-8screw-enders.mp4|200px|thumb|Lee has many juggle enders for optimizing wall carry.]] | [[File:Lee-8screw-enders.mp4|200px|thumb|Lee has many juggle enders for optimizing wall carry.]] | ||
* wr3,4; b+4; 1+2; and | * wr3,4; b+4; 1+2; and db+3 floor break | ||
* b+4 and | * b+4 and db+3 spike to setup oki | ||
* | * df+3,2,3 works as aerial hits 5–7 | ||
Wall splats: | Wall splats: | ||
Line 644: | Line 644: | ||
* d+2 gets a regular splat in the shortest distance | * d+2 gets a regular splat in the shortest distance | ||
* 1,2,f~n can high splat | * 1,2,f~n can high splat | ||
* | * df+3,2,3 can high splat with the 2nd hit, such that the 3rd doesn't count for wall slump | ||
Damage at max scaling (30%): | Damage at max scaling (30%): | ||
Line 654: | Line 654: | ||
* d+2 (5) | * d+2 (5) | ||
Three hits: | Three hits: df+3,2,3 (13) | ||
== External links == | == External links == |
Revision as of 02:40, 22 February 2022
Lee (Tekken 7) |
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Combos (Tekken 8) |
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Bread n' butter
Bread n' butter combos are juggles that:
- Work on as many different launchers as possible
- Work on all body sizes
Launchers that require unique combos go straight to ยง Staples.
- Regular launch (e.g. df+2)
- 4,u+3 b+2,f~n f+4,1 S! b+2,f~n f+2,1
- Pickup launch (e.g. CH 1+2,3+4)
- b+3,3,f~n b+2,f~n f+4,1 S! b+2,f~n f+2,1
- Crouching recovery (e.g. CH FUFT.3)
- ws2,3 b+2,f~n f+4,1 S! b+2,f~n f+2,1
Mini-combos
- CH db+3+4
- CH FC.df+4
- f,F+3+4
- f+3+4
- CH FC.df+4,3
- HMS.1,f~n d,DB+4
- HMS.uf+4
- 1,3:3:3
- HMS.4
- HMS.uf+4
- b+4[3]
- d,DB+4
- ub+3
- bb+4,3
- b+4,3[3]
- HMS.uf+4
- FC.df,d,DF+3
- MS.3+4[4]
- FUFA.3
- CH (2,1),4
- 1,3:3:3
- 1,2,4
- uf+3+4,3+4
- HMS.uf+3
- HMS.2
Staples
Staple combos are juggles that:
- Can be done consistently by a skilled player
- Either work on all body sizes, or the characters it does work on are comprehensively listed
- Are not strictly worse than another combo listed in terms of difficulty, damage, wall carry, and oki
Most of Lee's staples make use of Sway (MS.b~n) being in while standing for the first 4 frames.
For example, ws2,4 from MS is done with the input b,n,2,4. This is written as simply ws2,4 in combos, with this technique implied if MS is entered prior.
Standing | |
Not accepting input | |
While standing (Sway) | |
Crouching (MS) | |
Input buffer |
The technique is easier out of a transition because Sway can be input in the input buffer. This allows more frames of neutral between the b and the attack button.
A common mistake is to do the attack input exactly as b is released, leaving no room for n. Make sure there's a gap between the b and 2 (for ws2) in the practice mode's command history.
- [13] uf+4
- [12] df+2
- [20] MS.3,4
- [25] uf,n,4
- [24] CH b+4
- [21] CH (f+4),3
- [24] CH HMS.uf+4
- [18] BT.uf+4
- [+53] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1
- [+51] 4,u+3 b+2,f~n 1,2,f~n ws2,4 S! f+2,1
- [+50] 4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- CH 4
- [68] b+1:1,f~n[1] 4,u+3 b+2,f~n(x2) <f+4,1 S! f+2,1
- [67] b+1:1,f~n[1] 4,u+3 b+2,f~n ws2,4 S! f+2,1
- [65] b+1:1,f~n[1] 4,u+3 b+2,f~n f+4,1 S! f+2,1
- [61] f,F d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3
- CH 4,4
- [57] b+2,f~n(x4) f+4,1 S! f+2,1
- [55] b+1:1,f~n df+1 b+2,f~n ws2,4 S! f+2,1
- CH 4,3,4
- [70] b+2,f~n(x3) ws2,4 S! f+2,1
- [67] b+2,f~n ws2,4 S! b+2,f~n ws2,3
- [20] CH d+3,4[2][3]
- [24] CH 1+2
- [24] CH 1+2,3+4[2]
- [21] CH (2,1),1
- [21] CH (uf+3),1
- [+43] b+3,3,f~n b+2,f~n(x3) ws2,4 S! f+2,1
- [+40] b+3,3,f~n b+2,f~n ws2,4 S! b+2,f~n ws2,3
- [32] f+3,3,3,3,3,4
- [28] CH (b+2),4,3
- [+36] 4,u+3 b+2,f~n(x3) <f+2,1
- [+33] 4,u+3 b+2,f~n(x2) ws2,3
- [+30] 4,u+3 b+2,f~n ws2,3
- [24] CH b+4,3
- [21] CH (f+4),3,4
- [+50] f~n ws2,3 b+2,f~n(x3) ws2,4 S! f+2,1
- [+47] f~n ws2,3 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- CH Sway.4[4]
- [68] d+2 d+2 b+2,f~n(x3) f+4,1 S! f+2,1
- [67] d+2 d+2 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- low parry
- [53] f,F[5] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1
- [50] f,F[5] 4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- [43] d+2 b+2,f~n df+1 b+2,f~n ws2,4 S! f+2,1
- [24] CH HMS.4
- [25] FC.uf+4
- [12] CH FUFT.3
- [12] CH FUFA.3
- [10] CL FDFT.3
- [+48] ws2,3 b+2,f~n(x3) f+4,1 S! f+2,1
- [+47] ws2,3 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- CH FDFA.3
- [58] ws4 b+3,3,f~n b+2,f~n(x2) ws2,4 S! f+2,1
- [55] ws4 b+3,3,f~n b+2,f~n ws2,4 S! f+2,1
- [22] f,F+4
- [23] b,B+4
- [35] uf+3,4
- [+38] f,F b+3,3,f~n b+2,f~n f+4,1 S! b+2,f~n f+2,1
- CH d+2
- [63][6] f,F b+3,3,f~n b+2,f~n(x3) ws2,4 S! f+2,1
- [62] f,F d+4,4,u+3,f~n f+4,1 S! b+2,f~n ws2,3
- [60][6] f,F b+3,3,f~n b+2,f~n ws2,4 S! b+2,f~n ws2,3
- HMS.2
- [74] 4,u+3 b+2,f~n(x3) f+4,1 S! f+2,1
- [73] 4,u+3 b+2,f~n ws2,4 S! b+2,f~n f+2,1
- d,DB+4
- [79] <UF,4 4,u+3,f~n f+4,1 S! b+2,f~n ws2,3
- [79] UF,4 <d+2 b+2,f~n(x3) ws2,4 S! f+2,1
- [77] (d+4),4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1
- [74] (d+4),4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- [12] CH (1,2),4
- [26] CH (1,2),4*
- [20] CH (HMS.1),4
- [+42] df+1+2,3 S! b+2,f~n 1,2,f~n f+2,1
- [+41] df+1+2,3 S! b+2,f~n 1,2,f~n 1 f,F+3
- [+41] <d+2 b+2,f~n 2 b+2,f~n f+4,1 S! f+2,1
- [+37][7] ssr b+3,3,f~n <2,2,3 S! f+2,1
- [12] CH (1,2),4,3
- [20] CH (HMS.1),4,3
- [+41] f~n d+2 b+2,f~n 2 b+2,f~n f+4,1 S! f+2,1
- [24] CH (2,1),3
- [36] CH (b+1+2),P.4
- [+47] 4,u+3 b+2,f~n(x4) ws2,3
- [+42] 4,u+3 b+2,f~n 1,2,f~n ws2,3
- [+38] d+2 b+2,f~n 2 b+2,f~n 1,2,f~n ws2,3
- (df+3,2),3
- [63] 2,2,3 S! b+2,f~n 1,2,f~n f+2,1
Rage
- [39] ws2,3
- [26] CH ub+3
- [+55] R.df+3+4,f~n ws2,3 b+2,f~n(x2) f+4,1 S! f+2,1
- [+52] R.df+3+4,f~n ws2,3 b+2,f~n f+4,1 S! f+2,1
- [25] R.df+3+4,f~n
- [+53] 4,u+3 b+2,f~n(x3) ws2,4 S! f+2,1
- [+51] 4,u+3 b+2,f~n 1,2,f~n ws2,4 S! f+2,1
- [+50] 4,u+3 b+2,f~n ws2,4 S! b+2,f~n ws2,3
- โ 1.0 1.1 1.2 Whiffs at tip range, and whiffs often vs Kuma/Panda.
- โ 2.0 2.1 Hold B and press 3 when Lee raises his left hand.
- โ 2 frame window on b+3 pickup.
- โ Doesn't work against all characters, see ยง CH Sway.4 for more.
- โ 5.0 5.1 This microdash is not necessary, but it helps with the timing.
- โ 6.0 6.1 Harder than d+4 pickup, but safer on failure.
- โ Re-aligns for a regular splat.
Wall
- High splat[5]
- [30] 4,u+3 f+4,3 d+3
- Side splat
- b+4 d+3
- (f+4),3 d+3
- df+4
- f,F+3
- Reverse splat
- b+4 ub+3
- (f+4),3 ub+3
- Wall bounce
- 4,u+3 f+4,3 d+3
- ss 4,3,4 W! b+2,f~n f+4,3 d+3
- ss 4,3,4 W! 4,u+3 f+4,3 d+3
- vs Gigas, Jack, and Marduk
- replace d+3 with 3[8]
- vs Fahkumram (regular splat)
- [25] ws2,4 D+4,4,4,4
- vs bears
- replace d+3 with D+4,4,4<4[9]
- โ Common after ws2,3 or f+1+2 or d+2 W! in a juggle
- โ Does more damage than df+1 with less scaling
- โ Common after f+2,1 W! in a juggle
- โ Recovers faster, so better oki
- โ Possble after 1,2,f~n or ws2,3 W! in a juggle
- โ After HMS.2 W!
- โ Possible after 4,3,4 in a juggle
- โ 1 less damage, but they can block the d+3
- โ Breaks walls with a non-delayed 4, but the bear player can prevent this with a spring kick
Off-axis
- uf+4
- df+2
- MS.3,4
- uf,n,4
- 4,u+3,f~n d+2 f+4,1 S! b+2,f~n f+2,1
- 4,u+3,f~n f+4,1 S! b+2,f~n(x2) f+2,1
- 4,u+3,f~n f+4,1 S! 1,2,f~n f+2,1
Back-turned opponent
Against big characters with short legs (Gigas, Jack, Marduk, bears):
- Dead center of opponent's back:
- S! b+2,f~n doesn't work—just go straight for f+2,1
- b+2,4,3 S! f+2,1 as aerial hits 3–7 won't work—do b+2,f~n f+4,1 S! f+2,1 instead
- b+3,3,f~n b+2,f~n doesn't work
- b+3,3,f~n 2 sometimes doesn't work—try b+3,3,f~n 1 instead
- f+3,3,3,3,3,4
- [60] d+2 b+2,f~n 1,2,f~n f+2,1
- f+3,3,3,3,4
- [69] b+3,3,f~n 2 b+2,f~n f+4,1 S! f+2,1
- d,DB+4
- [77] f,F~4,u+3[1] b+2,f~n(x3) ws2,4 S! f+2,1
- [74] f,F~4,u+3[1] b+2,f~n ws2,4 S! b+2,f~n ws2,3
- [73] UF,4 2 b+2,4,3 S! b+2,f~n f+2,1
- [72] <4,u+3 b+2,f~n f+4,1 S! b+2,f~n f+2,1
- [71] SSR.df+1+2,3[1] S! b+2,f~n(x4) f+2,1
- uf+3,4
- [72] b+3,3,f~n 2 f+4,1 S! b+2,f~n f+2,1
- ws2,3
- [77] b+1:1,f~n 2 b+2,f~n(x3) f+4,1 S! f+2,1
- [76] b+1:1,f~n 2 b+2,f~n ws2,4 S! b+2,f~n f+2,1
Character specific
CH Sway.4
- AK, Bob, Bryan, Drag, Fahk, Feng, Geese, Hei, King, Maven, Miguel, Negan, Paul, Shaheen, Steve
- 4,u+3 b+2,f~n(x3) f+4,1 S! f+2,1
- Gigas, Jack, Marduk
- df+4 b+3,3,f~n b+2,f~n(x2) f+4,1 S! f+2,1
- Bears
- b+3,3,f~n b+2,f~n(x3) f+4,1 S! f+2,1
ws2,3
- Gigas and Marduk
- [71] b+1:1,f~n b+3,3,f~n[1] ws2,4 S! f+1+2
- [56] b+1:1,2
- with floor break
- [69] b+1:1,f~n b+3,3,f~n[1] db+3 F! ws2,4[2] S! f,F+3[3]
- [68] b+1:1,f~n b+3,3,f~n[1] db+3 F! ws2,4[2] S! d,DB+4
- [68] b+1:1,f~n ws3,3 F! ws2,4[2] S! f+1+2
- [67] b+1:1,f~n b+3,3,f~n[1] db+3 F! ws2,4[2] S! d+3
- [66] b+1:1,f~n b+3,3,f~n[1] db+3 F! 1,2,f~n f+2,1
- [66] b+1:1,f~n ws3,3 F! b+1,2,f~n <1,2,f~n f+2,1
- Bears
- b+2,4,3 S! b+2,f~n(x3) f+2,1
- โ 1.0 1.1 1.2 1.3 1.4 To get b+3 after b+1:1,f~n the MS must be cancelled first to avoid MS.3. The simplest way to do this is holding b during recovery and pressing 3 exactly as the recovery ends. A buffered sidestep also works.
- โ 2.0 2.1 2.2 2.3 Hold d during the floor break to recover crouching post-break to do this as fast as possible. Easy mode option f+4,1 S! also works and is only -1 damage because of floor break scaling.
- โ The only practical way to hit this is with the assist button mapped and pressing f,F,assist+3. A reverse backdash cancel (i.e. f,F,df,f,F+3) can work in theory but only with superhuman speed.
Floor break
Lee's floor break options differ in how many hits they do, whether they leave the opponent face-down or face-up, and how easy they are to connect.
Move | # of hits | Damage | Post-break state |
---|---|---|---|
1+2 | 1 | 20 | Face-down |
wr3,4 | 2 | 14,26 | |
4,3,3 | 3 | 16,14,20 | |
b+4 | 1 | 22 | Face-up |
f+4,3 | 2 | 13,18 | |
f+3+4 | 2 | 10,20 |
Floor breaks reduce damage scaling significantly, so you want to do as much of your combo as possible before the break. This means you're mostly doing the break at or near the wall.
Post-break, your options depend on how much wall slump you've built up. Every hit on the wall with the opponent's feet to the ground builds up slump. However, the move that breaks the floor does not build up slump. So a 1-hit floor break will build no slump and you can do a regular wall combo, but a 2-hit floor break will build 1 bit of wall slump and you'll have to adjust.
Opponent state | # of slump | Wall combo | Damage |
---|---|---|---|
Face-down | 0 | 4,u+3 f+4,3 d+3 | 20 |
1 | 4,u+3 f,F+3 | 18 | |
2 | 4 b+4 ub+3 | 17 | |
Face-up | 0 | df+1 f+4,3 d+3 | 14 |
1 | 4,u+3 | 13 | |
2 | b+4 d+3 | 11 |
4 will cause a high splat against face-down opponents but not face-up ones. This generally makes the face-down combos better.
Since 4,3,3 does much more damage than the other breaks, the ideal floor combo at the wall is 4,3,3 F! 4 b+4 ub+3.
Extras
Extra combos are juggles that are:
- Strictly worse than one of the ยง Staples; or
- Too inconsistent to be a staple; or
- Joke combos for style points.
- [24] CH b+4
- [+55] UF,4 d+2 b+2,f~n(x3) ws2,4 S! f+2,1
- [24] CH 1+2
- [21] CH (2,1),1
- [21] CH (uf+3),1
- [+46] f,f df+4 b+3,3,f~n b+2,f~n(x2) ws2,4 S! f+2,1
- [24] d,DB+4
- [+29] 3~3:4
- [12] CH (1,2),4
- [26] CH (1,2),4*
- [20] CH (HMS.1),4
- [+43] df+1+2,3 S! b+2,f~n 1,2,f~n(x2) f,F+3
B1 link
See also: B2 loop#B1 link
A b1 link (or Triple Fang link) is b+2,f~n b+1:1,f~n in a juggle. Its main purpose is to get more wall carry.
Since b+1:1,f~n travels further than b+2,f~n, it allows Lee to either:
- get an extra aerial hit
- get ws2,4 as the screw instead of f+4,1
- get ws2,3 as the ender instead of f+2,1
For the b+1 to connect b and 1 must be pressed on the same frame. The timing is lenient but must be done earlier than another B2 loop would be.
For carry purposes b+1:1,f~n and b+1,1,f~n are the same, but the former does 1 more damage.
This is an advanced technique, having a tight execution requirement for relatively little reward.
- uf+4
- df+2
- MS.3,4
- uf,n,4
- CH b+4
- CH (f+4),3
- CH HMS.uf+4
- df+3+4,f~n
- 4,u+3 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1
- f+3,3,3,3,3,4
- 4,u+3 b+2,f~n(x2) b+1:1,f~n ws2,3
- CH 4
- b+1:1,f~n 4,u+3 b+2,f~n b+1:1,f~n ws2,4 S! f+2,1
- low parry
- f,F 4,u+3 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1
- CH HMS.4
- FC.uf+4
- CH FUFT.3
- CH FUFA.3
- CH FDFT.3
- ws2,3 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1
- CH d+3,4
- CH 1+2
- CH 1+2,3+4
- CH (2,1),1
- CH (uf+3),1
- b+3,3,f~n b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1
- ws2,3
- df+3+4,f~n S! d+2 b+2,f~n(x3) b+1:1,f~n f+4,1 S! f+2,1
One method for doing this is to piano the 1 button with two fingers to hit it twice. This is a placebo, since the extra button press doesn't actually give you an extra "chance" to hit the link, but many people find this method useful anyway.
Tools
Lee's combo moves and their function are:
Damage | Pickup | Filler | Screw | Ender |
---|---|---|---|---|
4,u+3 | b+3,3,f~n | b+2,f~n | ws2,4 | f+2,1 |
4,u+3,f~n | ws2,3 | 1,2,f~n | f+4,1 | ws2,3 |
4,3,4 | ws4 | b+1:1,f~n | b+2,4,3 | f+1+2 |
UF,4 | df+4 | 2 | 2,2,3 | d+2 |
d+2 | d+2 | df+1 | 2,1,3 | wr3,4 |
f,F+4 | d+4,4,u+3,f~n | b,B+4 | df+3,2,3 | |
df+3+4 | 3 | SSL.3+4 | b+4 | |
SSR.3+4 | 1+2 | |||
df+1+2,3 | db+3 |
The main purpose for all these options is to get the right wall carry.
Damage
- 4,u+3 b+2,f~n works as aerial hits 2–4
- b+2,f~n whiffs when off-axis
- f,F+4 iws2,3 b+2,f~n can work as aerial hits 1–4
- f,F+4 d+2 df+3+4 S! can work as aerial hits 1–3
- d+2 b+2,f~n can work up to aerial hits 2–3, and very rarely 3–4
- at some angles, d+2 needs to hit close to the ground
- at other angles, it needs to hit far from the ground
Filler
- b+2,f~n loops with itself on-axis
- 1,2,f~n works in most situations and loops with itself
- 1,2,f~n carries less than b+2,f~n(x2)
- b+1:1,f~n can connect after b+2,f~n
- b+1:1,f~n travels further than b+2,f~n, which can allow an extra hit in the juggle
- df+1 b+2,f~n and 2 b+2,f~n work as aerial hits 3–4
Damage per hit at max scaling (30%)
- b+2,f~n (3)
- 2 (3)
- df+1 (3)
- b+1:1,f~n (3)
- b+1,1,f~n (2)
- 1,2,f~n (2)
Screw
- ws2,4 works as aerial hits 6–7
- aerial hit 7 whiffs when off-axis, especially to the right
- can work as aerial hits 7–8 after b+1:1,f~n if precisely off-axis to the left
- f+4,1 works as aerial hits 6–7
- usually works as aerial hits 7–8 after b+1:1,f~n
- can work as aerial hits 7–8 after b+2,f~n if precisely off-axis to the right
- b+2,4,3 works up to aerial hits 3–5
- aerial hit 5 whiffs when off-axis to the right
- 2,2,3; df+1+2,3; and SSR.3+4 rotate the juggle to the right
- b+2,4,3 flips over face-down opponents
Fastest to slowest recovery:
- ws2,4 (r24)
- b+2,4,3 (r27)
- 2,1,3 (r28)
- f+4,1 (r29)
- 2,2,3 (r31)
Although it recovers fastest, ws2,4 has the most pushback, so followups are easier on b+2,4,3 and f+4,1.
Damage at max scaling (30%):
- ws2,4 (9)
- f+4,1 (7)
Three hits:
- b+2,4,3 (12)
- 2,2,3 (12)
- 2,1,3 (12)
Ender
- wr3,4; b+4; 1+2; and db+3 floor break
- b+4 and db+3 spike to setup oki
- df+3,2,3 works as aerial hits 5–7
Wall splats:
- f+2,1 sends them furthest
- ws2,3 sends them highest so is easiest to followup and can high splat
- f+1+2 packs damage in a short distance
- d+2 gets a regular splat in the shortest distance
- 1,2,f~n can high splat
- df+3,2,3 can high splat with the 2nd hit, such that the 3rd doesn't count for wall slump
Damage at max scaling (30%):
- wr3,4 (11) — no wall splat
- f+2,1 (10)
- ws2,3 (10)
- f+1+2 (9)
- d+2 (5)
Three hits: df+3,2,3 (13)
External links
- Video overview by TZMurakumo
- Wall combos video overview by TZMurakumo
- Juggle distance video guide by TZMurakumo
- Balcony break video guide by TZMurakumo
- b+4 combo finisher by Murakumo
- Mo Na'ni Quicknotes Part 2 ยง Resplats
- Mo Na'ni Quicknotes Part 4 ยง Resplats
- Mo Na'ni Quicknotes Part 5 โ Wall combos
- Lee Chaolan Combo Guide (Season 4) by Ryzing Sol